Judith Baca, also known as Judy Baca, creates murals and monuments through community and historical research. Documented works include The Great Wall of Los Angeles, Hitting the Wall, and the Arch of Dignity, Equality and Justice at San José State University.
Project details & references
Practice
mural, public art, monuments
Materials in documented works
digital reproduction on glass panels, mineral-colored glass, aluminum substrate
Project references
The Great Wall of Los Angeles · Arch of Dignity, Equality and Justice · Hitting the Wall
Documented contexts
Community mural within a flood-control channel; Campus monument combining passage, mosaic, and sculpture
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Cusolito creates large steel sculptures examining people and the environment. Her botanical Dandelion uses salvaged steel and has appeared in public installations in San Francisco and Oakland.
Project details & references
Practice
monumental sculpture, steel sculpture, public sculpture
Materials in documented works
mild steel
Project references
Dandelion · Ecstasy · Infinitarium
Documented contexts
Botanical sculpture · festival and civic exhibitions; Figurative sculpture · performance, civic park and permanent exhibition
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Artist using light to create immersive environments at the intersection of visual, architectural and sculptural experience. Documented installations include Terminal, Halo and Beacon.
Project details & references
Practice
light art, installation, video
Materials in documented works
LED lights, LED strips, light
Project references
Halo · Terminal · Beacon
Documented contexts
Into The Light, Grande Halle de la Villette, Paris, 2025; Gerlingen town-hall square; regional festival, September–October 2016
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Kate Greenberg combines architecture, fabrication and interaction design in participatory art environments. Her artist-controlled site names Chronosydra, Trace, Incenter and Out the Other, matching the event archive and her Princeton interview. Chronosydra was an eleven-foot reverse hourglass, credited with the Dust Crusaders, that filled upwards during Burning Man 2016. For Trace in 2018, Greenberg described hand-dyed rope panels rising eighteen feet above a forty-foot-square deck. Her interview states that the completed 2018 Trace installation stood for five days before the team burned it on Thursday. Incenter’s 2022 event description places an imagined view from Earth’s center inside a house-shaped space with interactive global data. Her 2025 sculpture Out the Other invites visitors to speak into its ears; the event text describes AI reframing their words as a positive response. These interactive mechanisms are source descriptions, not independent technical or safety certifications.
Project details & references
Practice
installation, interactive art, architecture
Project references
Chronosydra · Trace · INCENTER
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Kathy D’Onofrio creates narrative art environments populated by imagined animals, aliens and mythic figures. Burning Man’s archive credits her across 2016–2019 and 2022–2025, including A RAT’s Nest, The Aliens of Calais, Anostraca and Not Now. Crystal Cat Thedral is expressly co-credited to D’Onofrio and The Cat Thedral Crew. A separate first-person account by Harlan Emil Gruber identifies her papier-mâché figures within his collaborative 11: 55 Reformation Portal in 2015; that contribution is not sole authorship of the whole portal. The archive’s character stories are artistic descriptions rather than verified scientific or supernatural claims. Current studio location is unconfirmed: the two 2025 entries list different hometowns. The linked artist reference is the event organizer’s archive, not a personal website; dimensions of her standalone works remain unstated.
Kelly Schott works across painting and sculpture, with public-art references documented by the Gaslamp Quarter Association and Burning Man. The Gaslamp association’s Rabbitville interview identifies her as the artist who painted Isadora for the Pendry Hotel collaboration, describing the challenge of applying detailed two-dimensional imagery to a three-dimensional rabbit form. Burning Man’s 2019 archive describes Pieuvre as an ornate mixed-metal octopus with stained-glass details, lighting and intended fire lanterns. Its 2022 archive describes Genesis as a kinetic sunflower sculpture with a spinning geometric center that invites audience interaction. These are distinct project references with historical contexts. Planned features in an archive description are not independently confirmed construction details, and neither commissioning availability nor the current location of these objects is established.
Project details & references
Practice
kinetic sculpture, metal sculpture, painting
Project references
Pieuvre · Genesis · Isadora
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A sculptor combining digital modeling, hands-on fabrication and LED control systems. His practice uses geometry, sensing and light to create interactive experiences in public and festival settings.
Project details & references
Practice
sculpture, light art, digital fabrication
Materials in documented works
steel, edge-lit acrylic
Project references
rAD Infinitum · Peace Under Pressure · Forest Guides
Documented contexts
Digital fabrication and 2019 Canadian festival presentations; 2023 sculpture with sound-reactive lighting and named presentations
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Kerry Veenstra builds electronic installations that make numerical processes and visual perception tangible. His project archive includes displays concerned with wind, mortality and population growth. Imbalance presented counters for births and deaths at Burning Man in 2022; the artist’s later account documents its plywood construction, installation and removal. Persistence, created in 2023, was designed by Veenstra and Victoria Hollis, with additional construction and installation assistance named in the project account. It adapts Bill Bell’s Lightstick technique: images emerge from a vertical line of rapidly changing LEDs when viewers move their eyes. A sixty-four-inch display sits on a separate twenty-two-foot mast. Veenstra explicitly states that the planned interactive controls were unfinished for the 2023 presentation, distinguishing the realized visual effect from the more ambitious original design.
Project details & references
Practice
electronic installation, light art, data-driven public art
Project references
Imbalance · Persistence — designed with Victoria Hollis
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Kit Webster builds audiovisual sculptures and immersive environments through projection mapping, laser and LED imagery coordinated with sound. His practice spans installations, live performances and commissioned spatial work.
Explore sculptures that physically move: visitor-activated mechanisms, changing forms and wind-driven installations. Compare documented projects, understand how motion shapes the encounter, and identify the site and maintenance questions to resolve with an artist.
Find installations that make listening, musical participation or sound-responsive light part of a place. Compare playable works and spatial compositions, then plan how the experience will share space with visitors, neighbors and everyday activity.
