Artist’s account of Fantastic Planet
Scale reverses who seems to belong
Amanda Parer describes Fantastic Planet’s enormous humanoid figures as visitors exploring an unfamiliar world. The work takes inspiration from René Laloux’s 1973 film, in which the relationship between humans and much larger beings is unsettled. The public installation uses scale to make ordinary surroundings seem newly strange. For a host, that suggests evaluating the figures in relation to recognizable architecture and daily activity: a rooftop, plaza edge or entrance can become part of the encounter through which viewers judge their own position in the scene.
Amanda Parer — Fantastic Planet ↗ · Reviewed 2026-10-10
Which familiar feature of the site would make the reversal of scale most legible?
Big Art Partners planning prompt