Research notes for project planning
What the project record tells us
Audiovisual archway installation with a documented live-performance mode
AXIOM: autonomous installation or live audiovisual performance
Webster describes AXIOM as three aligned archways whose animations follow the sculpture's contours while a coordinated soundscape moves between quieter pulses and rapid percussion. The work can run autonomously or be performed live, with Webster controlling generative particles and music together. These are different operating modes with different programming implications. The artist's page documents the concept and modes, but does not give a booking schedule, equipment list or venue sound limits for a new presentation.
Kit Webster — AXIOM ↗ · Reviewed 2026-10-10
For your project briefWould the project require an autonomous exhibition, scheduled live performances or both, and who would operate and maintain the audiovisual system?
Big Art Partners planning prompt Immersive audiovisual room; V2 festival commission
DeepDream: a room designed around reflection and surround sound
DeepDream combines an octagonal arrangement of mirrors and LED screens with eight-channel surround sound. Webster describes the video as composed specifically for the reflective room, with sequences changing from calm passages to stronger audiovisual crescendos. His page credits the second version as a commission for Untold, Summerwell and Neversea festivals. This is a spatially coordinated environment rather than a single freestanding light object; the available description does not determine how it would adapt to another venue.
Kit Webster — DeepDream ↗ · Reviewed 2026-10-10
For your project briefWhat room geometry, sound isolation, visitor capacity and sensory notices would be agreed before adapting a mirrored eight-channel installation?
Big Art Partners planning prompt Suspended audiovisual video sculpture
Enigmatica: projection aligned to suspended sculpture
Enigmatica uses ten suspended concentric frames with geometric animations mapped to individual frames and across the complete assembly. Webster describes the moving projection and sound score as developed together, producing apparent shifts between physical structure and digital image. The work offers a precedent for sculpture whose visual effect depends on precise alignment of projection, suspended elements and sound. Its project page establishes that method but leaves rigging loads, projector positions and ambient-light tolerances to a separate technical discussion.
Kit Webster — Enigmatica ↗ · Reviewed 2026-10-10
For your project briefCan the venue support the required suspension geometry and projection alignment, and who would recalibrate the work during its run?
Big Art Partners planning prompt 
