Brad Oldham and Christy Coltrin collaborate on narrative sculpture for civic and commercial settings, combining character development with metal fabrication.
Project details & references
Practice
public art, sculpture, metal casting
Materials in documented works
steel, stainless steel, bronze, concrete
Project references
The Traveling Man: Walking Tall · Cloud Puncher · The Traveling Man – Walking Tall
Documented contexts
Documented Dallas installation; exact completion year left unknown.; Documented Oklahoma City development installation; year not stated.
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Bruno Catalano creates bronze figures in his Voyageurs series, using interruptions in the body and carried luggage as recurring forms. His archive documents monumental public presentations in several cities.
Project details & references
Practice
sculpture, public sculpture
Project references
Voyageurs series · Bleu de Chine and monumental project archive · Emilie
Documented contexts
Series history; no single year assigned to all versions.; 2018 is an installation record; creation year remains null.
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Bryan Argabrite makes large kinetic sculptures with movable forms and reused materials. His Maker Faire Bay Area 2023 profile describes working in steel and aluminum with recycled tools, fasteners and furniture. The same exhibitor page presents Dragonfly, a rideable sculpture whose wing movement responds to pedaling. Burning Man’s archive credits Argabrite with Spider Sweet, a maneuverable spider; the spring-loaded metal creature Wrenching Raptor; and later works including Flameout and Dancing Queen. The entries connect mechanical movement with audience participation and identify Santa Cruz, California, as his source location in those event years. Portfolio dates below identify documented event appearances or archive entries, not necessarily first fabrication dates. Present storage, touring readiness and engineering specifications have not been established.
Project details & references
Practice
kinetic sculpture, interactive sculpture, metal sculpture
Project references
Spider Sweet · Cryspurgery · Wrenching Raptor
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Tedrick creates sculptures in steel, bronze, wood and stone. His portfolio includes large kinetic works commissioned for Burning Man and sculptures for public and private settings.
Project details & references
Practice
kinetic sculpture, metal sculpture
Materials in documented works
steel
Project references
Coyote · Victory · Lord Snort
Documented contexts
Kinetic steel sculpture · Burning Man commission and California winery setting; Community foundation commission · Geyserville, California · 2018
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BYTE is an art collective and Burning Man community founded by Jason “Jay” Blanda and Andrew Lazorchak. Its robot characters turn microchip-like silhouettes into large, tactile installations with fur, reflective eyes and spaces for gathering. The group’s project history dates Chip and Terra’s first Black Rock City presentation to 2018; Burning Man’s 2022 archive documents a hanging wisteria garden and an elevated lounge within the installation. BYTE’s official site also describes smaller public-display adaptations using artificial grass. Its local installation examples include Meg at Do Not Sit On The Furniture and Flora and Fauxna at the Sagamore Hotel. The collective profile preserves the founders’ distinct identities and treats named sites as documented examples, without implying current display, booking availability or verified installation performance.
Cameron Anne Mason makes textile sculptures and immersive installations concerned with nature, human activity and time. Her process includes observation, dyeing, sewing and surface design, extending fabric from gallery objects into outdoor gathering spaces. Sky Bound, created for Burning Man in 2018 by the Dusty Nation collective, placed concentric silk banners around seating and Ulrich Pakker’s kinetic sculpture Spheroid. Wind animated the dyed banners and changed the space’s sound and appearance. Playastan Crossroads, made in collaboration with Peter Weston in 2014, combined silk banners, a wooden structure, lighting and participants’ books across a broad circular site. The Orchard Room, a temporary Seattle park installation in 2012, connected living trees with dyed silk and hosted performances co-curated with Lara McIntosh. The collective and curatorial credits distinguish Mason’s textiles from collaborators’ contributions.
Project details & references
Practice
textile sculpture, environmental installation, participatory public art
Project references
Sky Bound — Dusty Nation; central Spheroid by Ulrich Pakker · Playastan Crossroads — with Peter Weston · The Orchard Room — performance co-curation with Lara McIntosh
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Candi Carrell combines clay, found objects and welded metal in sculptures shaped by the Sonoran Desert, popular monsters and traditions honoring the dead. A longtime Tucson art teacher, she describes introducing found objects into her work in 2004 and welding in 2020. Her practice includes both small assemblages and larger participatory projects. The artist’s gallery dates Throw the Stories in the Fire to 2019 and associates it with Burning Man, GLOW and Triangle L Ranch Sculpture Park in Oracle, Arizona. Her biography also credits the Borton Magnet School community with making a 1,600-square-foot mosaic for Ben’s Bells. The 2023 Burning Man archive lists Our Perpetual Lady of Lost Souls and Secrets, a jackalope form on a nine-foot metal base. That archive listing documents the proposed event work; it does not independently confirm its completion or current location.
Project details & references
Practice
mixed-media sculpture, welded sculpture, assemblage, community art
Project references
Throw the Stories in the Fire · Our Perpetual Lady of Lost Souls and Secrets — 2023 event listing
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The artistic partnership of Rejane Cantoni and Leonardo Crescenti develops immersive and interactive interfaces using movement, sound, reflected imagery and physical participation. Their work explores exchanges between people, machines and environments.
King Abdulaziz Historical Center, Riyadh, Saudi Arabia
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Representative artist / studio imageImage: artgallery.qcc.cuny.edu ↗Source: QCC Art Gallery / CUNY. Photographer not identified. (as credited at source)individual
Carole Feuerman creates figurative sculpture, including monumental swimmers and divers in public settings. Her studio documents work in bronze, resin and other media at several scales.
Project details & references
Practice
sculpture, public sculpture
Project references
The Double Diver and Monumental Poseidon · The Golden Mean · The Double Diver
Documented contexts
Practice-level material range and figurative motifs.; Sunnyvale 2014 precedent; Poseidon creation 2024 and installation 2025.
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Cedric Douglas, also known as Vise1, is a street artist and designer with a documented public art practice in Boston. He founded The Up Truck, a mobile arts lab that engages underserved Boston communities through creative activity. Northeastern University documents A World of Innocent Discovery (2016) at its Behrakis Health Sciences Center and Untitled (2018), a Huntington Avenue mural made with Daniel Anguilu. The latter combines Douglas’s photorealist painting with Anguilu’s colorful imagery. For Sea Walls, Douglas and Julia “Julz” Roth created The Calling (2020), depicting a child listening to a conch shell to address ocean health and environmental justice. These projects connect figurative street painting with public participation and collaboration.
Project details & references
Practice
murals, street art, public art, community-engaged art
Project references
A World of Innocent Discovery · Untitled · The Calling
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Chad Rice is a northern Nevada artist and art educator whose outdoor sculptures extend painting into three dimensions. His biography identifies the Reno area as his place of living and working. In the installations, hand-painted images are distributed across separate surfaces so that a complete image appears only from a particular viewpoint. Visitors’ movement changes the alignment and therefore the visual experience. The artist’s installation page explains this method, while Burning Man’s annual archives supply distinct project references. Numinous appears in the 2022 archive as a dimensional forced-perspective structure, and the 2023 entry Numinous II describes a separate iteration. These event records are kept as dated project listings rather than a claim that two editions are the same object, that either remains installed, or that a work is available for placement.
Explore sculptures that physically move: visitor-activated mechanisms, changing forms and wind-driven installations. Compare documented projects, understand how motion shapes the encounter, and identify the site and maintenance questions to resolve with an artist.
Find installations that make listening, musical participation or sound-responsive light part of a place. Compare playable works and spatial compositions, then plan how the experience will share space with visitors, neighbors and everyday activity.
