Brad Oldham and Christy Coltrin collaborate on narrative sculpture for civic and commercial settings, combining character development with metal fabrication.
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Research notes for project planning
What the project record tells us
Documented Dallas installation; exact completion year left unknown.
A neighborhood story spans several sites
The Traveling Man: Walking Tall forms part of a three-site Dallas installation, connecting a large steel character with the neighborhood’s rail and music associations. The studio credits Brandon Oldenburg’s initial design collaboration, an important distinction when describing authorship. For a buyer, this project is useful as a precedent for a family of related works across a district. The brief should explain how each site contributes to the story and identify which partners approve the shared character, local references and wayfinding relationships.
How will a multi-site commission maintain a coherent narrative?
Big Art Partners planning prompt
Documented Oklahoma City development installation; year not stated.
A sculpture can cross a building boundary
Cloud Puncher links a bronze cowboy with a large cloud form that meets the Lively Hotel’s elevated pool deck in Oklahoma City. The studio describes a mixed-material assembly and credits Brad Oldham and Christy Coltrin as collaborators. This is a useful commercial-development precedent because the artwork’s composition depends on architecture as well as the ground-level viewing space. A comparable brief should resolve structural attachments, waterproofing interfaces, sightlines and installation sequencing with the building team before the sculpture’s fabrication package is finalized.
Who coordinates the artwork’s interfaces with the occupied building?
Big Art Partners planning prompt
Practice context for a separately documented collaborative project.
Narrative and metalwork develop together
The studio’s account of Brad Oldham and Christy Coltrin separates complementary contributions: character and narrative development alongside prototypes, molds, welding and metal casting. That working relationship helps explain a project such as Cloud Puncher without reducing the studio to a single fabricator or a single author. Buyers should ask to see how story approval connects to physical mockups, surface samples and engineering decisions. Those review points can preserve the intended expression while making scale, finish and construction interfaces concrete enough to evaluate.
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