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Cameron Anne Mason

Cameron Anne Mason makes textile sculptures and immersive installations concerned with nature, human activity and time. Her process includes observation, dyeing, sewing and surface design, extending fabric from gallery objects into outdoor gathering spaces. Sky Bound, created for Burning Man in 2018 by the Dusty Nation collective, placed concentric silk banners around seating and Ulrich Pakker’s kinetic sculpture Spheroid. Wind animated the dyed banners and changed the space’s sound and appearance. Playastan Crossroads, made in collaboration with Peter Weston in 2014, combined silk banners, a wooden structure, lighting and participants’ books across a broad circular site. The Orchard Room, a temporary Seattle park installation in 2012, connected living trees with dyed silk and hosted performances co-curated with Lara McIntosh. The collective and curatorial credits distinguish Mason’s textiles from collaborators’ contributions.

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At a glance

Practice
textile sculpture, environmental installation, participatory public art
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Not documented
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individual
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Not documented; confirm with the artist, studio or estate.

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Documented disciplines include textile sculpture, environmental installation, participatory public art.

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