No matches. Try a broader search or reset the filters.
Representative artist / studio imageImage: arxiv.org ↗Jnaneshwar Das and coauthors, Engineering Mythology (2026), Fig.24(b); photographer not identified. Paper declares CC BY4.0 (https://creativecommons.org/licenses/by/4.0/). Reduced for this directory; framing unchanged. (as credited at source)individual
Swig Miller is a self-taught artist, designer and builder based in Grass Valley, California, according to his current website. His practice ranges from monumental sculpture to hand-built spaces, working with wood, steel, stone and earth. Akle’ the Dragon is identified on his site as a Burning Man 2015 project; the organizer described a white concrete dragon almost 50 feet long. Tower of Ascension is credited to Miller and Friends in 2016, with a 40-foot steel tower and fire-breathing dragons. Later archive entries include the seated Open Hearted Meditator, The Phoenix and The Butterfly, The Giver and Tree of Love. Archive dimensions describe those event entries rather than independently verified current structures.
Project details & references
Practice
monumental sculpture, interactive installation, steel sculpture, stone sculpture, woodwork
Project references
Akle' the Dragon · Tower of Ascension · Open Hearted Meditator OHM
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Tanya Aguiñiga uses sculpture, textiles, performance and collaborative making to address border experience and community relationships. Her public practice includes participatory projects and the collective AMBOS, whose work has shared authorship.
Project details & references
Practice
sculpture, installation, performance, social practice
Materials in documented works
hay bales, clay, locally sourced natural materials
Project references
Border Quipu · Metabolizing the Border · AMBOS
Documented contexts
2016 participatory border project.; Undated work account; performance material is not generalized as a public interactive object.
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Tavares Strachan connects scientific exploration and cultural visibility through installations, neon landscapes and projects developed with research institutions.
Project details & references
Practice
sculpture, installation, neon
Materials in documented works
neon tubing, excavated desert sediment
Project references
I AM · ENOCH · The Day Tomorrow Began
Documented contexts
Desert X landscape installation; LACMA Art + Technology Lab collaboration
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Taylor Dean Harrison develops sculpture and installations using light, movement, color and the viewer’s position. His practice combines mathematical systems, parametric design and industrial fabrication with the physical effects of illuminated surfaces and shadows. Enunciation, dated 2016 in his portfolio, combines stainless steel, acrylic and thousands of LEDs that participants can control with buttons; the project credits Henry Richardson, Ryan Orban and a larger crew. Penumbra, dated 2017, comprises five flower-pod forms in steel and light and credits Henry Richardson. Syzygy, dated 2019, arranges six sculptures whose motorized light patterns move into and out of alignment, using steel, custom LED engines and dichroic glass. Harrison credits Henry Richardson and Hayden Harrison for that build. These dated portfolio projects establish a collaborative large-installation practice without implying current touring inventory.
Project details & references
Practice
sculpture, light installation, kinetic installation, digital fabrication
Project references
Enunciation — built with Henry Richardson, Ryan Orban and crew · Penumbra — built with Henry Richardson · Syzygy — built with Henry Richardson and Hayden Harrison
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
teamLab is an interdisciplinary art collective creating spatial experiences that respond to people and connect imagery across rooms. Its work includes digital ecosystems, collaborative drawing environments and installations combining living flowers with visitor movement.
Project details & references
Practice
interactive digital installation, immersive installation, participatory art
Project references
Forest of Flowers and People: Lost, Immersed and Reborn · Floating Flower Garden: Flowers and I are of the Same Root, the Garden and I are One · Sketch Ocean
Documented contexts
Interactive installation in the San Francisco Continuity exhibition.; Living orchid installation, dated 2015 onward.
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Teri Bevelacqua works across collage, painting and interactive installation. Her South Puget Sound Community College exhibition statement describes a practice of layering, adding and subtracting images, color and texture, drawing on both landscape and everyday experience. Burning Man’s archives document that approach at a larger scale: From There to Here & Here to There uses ten encaustic mixed-media panels in a roadside-sign format, and Door to Somewhere combines translucent paintings with a doorway and seating. The Dreamy Derelict Dory is credited to Bevelacqua in collaboration with Karen Boulton and Chess St. Clair; its archived design describes a painted rowboat, illuminated details and places to sit. The event entries name Olympia, Washington, as her source location at those dates; her current operating base remains unconfirmed.
Project details & references
Practice
interactive installation, encaustic painting, collage, mixed media
Project references
From There to Here & Here to There · Door to Somewhere · The Dreamy Derelict Dory
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
The Emergence Project is an artist-and-builder collective documented in Burning Man’s official installation archive. The 2022 entry credits Jesse Lightcap and the group for Emergence, a dragonfly environment described with a structural-steel frame, recycled-material plants, lighting and shaded gathering space. The team’s campaign presents the dragonfly as a symbol of transformation and remembrance. Its 2025 archive entry credits the collective for Love Tram, describing a detailed wooden tram designed around connection and creative expression. The accompanying group campaign proposed a gondola-like setting with a participatory sound booth. These sources establish the collective independently of any one lead artist. They document event-year projects and design intentions; the profile does not verify current object locations, completed technical features, nonprofit tax status or availability for placement.
TOROID – Further Experiments in Light and Sound · PULSE – An Experiment in Light and Sound · Prism – Coal Drops Yard
Documented contexts
Studio project record with separate design, fabrication, programming, technical and audio credits.; Mirrored-ring installation with programmable lighting and synchronized sound.
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Thomas Dambo makes large sculptures from recycled materials, often using wooden figures and stories to shape an encounter with a landscape. US precedents include forest and arboretum installations.
Project details & references
Practice
sculpture, public art, installation
Project references
Forest Giants in a Giant Forest · Troll Hunt
Documented contexts
Three completed 2019 installations and their shared narrative.; Temporary exhibition, 2018–2020; no current-display claim.
Saves on this device.Already working on a project?Adds directly to your existing saved project and keeps its brief intact.
Verified artwork imageImage: artproductionfund.org ↗Photo: Daniel Greer, courtesy of Art Production Fund. (as credited at source)outdoor
Explore sculptures that physically move: visitor-activated mechanisms, changing forms and wind-driven installations. Compare documented projects, understand how motion shapes the encounter, and identify the site and maintenance questions to resolve with an artist.
Find installations that make listening, musical participation or sound-responsive light part of a place. Compare playable works and spatial compositions, then plan how the experience will share space with visitors, neighbors and everyday activity.
