Tavares Strachan connects scientific exploration and cultural visibility through installations, neon landscapes and projects developed with research institutions.
Project details & references
Practice
sculpture, installation, neon
Materials in documented works
neon tubing, excavated desert sediment
Project references
I AM · ENOCH · The Day Tomorrow Began
Documented contexts
Desert X landscape installation; LACMA Art + Technology Lab collaboration
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Taylor Dean Harrison develops sculpture and installations using light, movement, color and the viewer’s position. His practice combines mathematical systems, parametric design and industrial fabrication with the physical effects of illuminated surfaces and shadows. Enunciation, dated 2016 in his portfolio, combines stainless steel, acrylic and thousands of LEDs that participants can control with buttons; the project credits Henry Richardson, Ryan Orban and a larger crew. Penumbra, dated 2017, comprises five flower-pod forms in steel and light and credits Henry Richardson. Syzygy, dated 2019, arranges six sculptures whose motorized light patterns move into and out of alignment, using steel, custom LED engines and dichroic glass. Harrison credits Henry Richardson and Hayden Harrison for that build. These dated portfolio projects establish a collaborative large-installation practice without implying current touring inventory.
Project details & references
Practice
sculpture, light installation, kinetic installation, digital fabrication
Project references
Enunciation — built with Henry Richardson, Ryan Orban and crew · Penumbra — built with Henry Richardson · Syzygy — built with Henry Richardson and Hayden Harrison
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teamLab is an interdisciplinary art collective creating spatial experiences that respond to people and connect imagery across rooms. Its work includes digital ecosystems, collaborative drawing environments and installations combining living flowers with visitor movement.
Project details & references
Practice
interactive digital installation, immersive installation, participatory art
Project references
Forest of Flowers and People: Lost, Immersed and Reborn · Floating Flower Garden: Flowers and I are of the Same Root, the Garden and I are One · Sketch Ocean
Documented contexts
Interactive installation in the San Francisco Continuity exhibition.; Living orchid installation, dated 2015 onward.
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Teri Bevelacqua works across collage, painting and interactive installation. Her South Puget Sound Community College exhibition statement describes a practice of layering, adding and subtracting images, color and texture, drawing on both landscape and everyday experience. Burning Man’s archives document that approach at a larger scale: From There to Here & Here to There uses ten encaustic mixed-media panels in a roadside-sign format, and Door to Somewhere combines translucent paintings with a doorway and seating. The Dreamy Derelict Dory is credited to Bevelacqua in collaboration with Karen Boulton and Chess St. Clair; its archived design describes a painted rowboat, illuminated details and places to sit. The event entries name Olympia, Washington, as her source location at those dates; her current operating base remains unconfirmed.
Project details & references
Practice
interactive installation, encaustic painting, collage, mixed media
Project references
From There to Here & Here to There · Door to Somewhere · The Dreamy Derelict Dory
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The Emergence Project is an artist-and-builder collective documented in Burning Man’s official installation archive. The 2022 entry credits Jesse Lightcap and the group for Emergence, a dragonfly environment described with a structural-steel frame, recycled-material plants, lighting and shaded gathering space. The team’s campaign presents the dragonfly as a symbol of transformation and remembrance. Its 2025 archive entry credits the collective for Love Tram, describing a detailed wooden tram designed around connection and creative expression. The accompanying group campaign proposed a gondola-like setting with a participatory sound booth. These sources establish the collective independently of any one lead artist. They document event-year projects and design intentions; the profile does not verify current object locations, completed technical features, nonprofit tax status or availability for placement.
TOROID – Further Experiments in Light and Sound · PULSE – An Experiment in Light and Sound · Prism – Coal Drops Yard
Documented contexts
Studio project record with separate design, fabrication, programming, technical and audio credits.; Mirrored-ring installation with programmable lighting and synchronized sound.
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Thomas Dambo makes large sculptures from recycled materials, often using wooden figures and stories to shape an encounter with a landscape. US precedents include forest and arboretum installations.
Project details & references
Practice
sculpture, public art, installation
Project references
Forest Giants in a Giant Forest · Troll Hunt
Documented contexts
Three completed 2019 installations and their shared narrative.; Temporary exhibition, 2018–2020; no current-display claim.
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Los Angeles, California, and Las Vegas, Nevada, United States
Todd Moyer creates interactive sculpture and experiential installations using projection mapping, kinetic mechanisms and programmable lighting. His practice includes fabrication, creative coding and touring stage design.
Project details & references
Practice
interactive sculpture, projection mapping, kinetic sculpture, light art
Materials in documented works
LEDs, dichroic acrylic panels
Project references
Laser Graffiti at EDC Las Vegas 2018 · EDC Caterpillar · Fractoid II
Documented contexts
2018 EDC Las Vegas wall-based interaction; identity and role cross-checked in artist portfolio XML.; Insomniac commission with separate digital, mechanical and fabrication credits.
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Tom Fruin transforms reclaimed plexiglas, signage and steel into architectural public artworks. Documented projects incorporate daylight, programmed illumination and neon.
Project details & references
Practice
sculpture, public art, light installation
Materials in documented works
stainless steel, plexiglass, found plexiglass, steel
Project references
Watertower · Kolonihavehus · Hotel
Documented contexts
A 2012 rooftop sculpture in DUMBO, Brooklyn.; A 2010 Copenhagen presentation combining sculpture and performance.
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Tom Otterness creates figurative public sculpture, including transit installations and plaza exhibitions that use small characters to address civic life.
Project details & references
Practice
public art, figurative sculpture, bronze
Materials in documented works
bronze, cast bronze, concrete, brass
Project references
Life Underground · Life Underground — plaza preview · Visionary
Documented contexts
2001 permanent transit installation according to MTA.; 1995 preview distinguished from MTA’s 2001 permanent work.
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Artist whose participatory installations and atmospheric projects investigate relationships among humans, other life and the environment. Documented works include solar inflatable structures and interconnected membrane environments.
TUNDRA is a new-media collective formed by Alexandr Sinitsa, Klim Sukhanov and Semyon Perevoshchikov. Its practice combines generative imagery, sound and spatial installation with audiovisual performance.
Project details & references
Practice
audiovisual installation, sound art, light art, generative art
Materials in documented works
LED holographic displays
Project references
ROW · My Whale · The Day We Left Field
Documented contexts
Audiovisual installation built around ten aligned LED holographic displays.; Original ship installation and later D MUSEUM revision.
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Collaborative studio founded by Tyler FuQua, working with Jason Hutchinson and a Portland-area team on large interactive sculptures and illuminated creations.
United Visual Artists (UVA) is a London practice founded and led by Matt Clark since 2003. Its installations combine sculpture, light, sound and movement to investigate perception, often through collaborations with musicians, scientists and other specialists.
URBANSCREEN is a design studio creating media installations and architectural projections. Its documented productions use animation and sound in response to buildings, including the Sydney Opera House, the Powerhouse Museum and Hamburg’s Galerie der Gegenwart.
Project details & references
Practice
projection mapping, media installation, audiovisual art
Materials in documented works
projected video and graphics, sound
Project references
Lighting the Sails · Common Ground · 555 KUBIK
Documented contexts
Vivid Sydney, Sydney Opera House, 2012; Vivid Sydney, Powerhouse Museum, 2023
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Valerie Mallory makes large mixed-media installations that often bring human figures into shared symbolic spaces. Her artist biography traces work for Burning Man from 2004 and lists later open-playa projects. Womantree, created with illustrator and concept designer Mikell Haynes, first appeared there in 2014 according to the dedicated project account. Cast bodies and faces combine into a tree form concerned with women’s lives and relationships across generations. The Bridge and the Cage followed in 2017, again with Haynes credited in the event archive. The Womantree site also describes an enlarged 2024 anniversary version, but retains both forward-looking and retrospective language. The original presentation and later version are therefore kept distinct, without assuming identical dimensions, physical continuity or a confirmed current location.
Vicki Scuri works through SiteWorks on bridges, road corridors and landscape structures, integrating patterns, materials and lighting with multidisciplinary design teams.
Project details & references
Practice
public art, infrastructure design, landscape integration, lighting
Materials in documented works
perforated metal, paint, LED lighting, weathering steel
Project references
East Kellogg corridor enhancements · West Glebe Bridge enhancements · Lakepointe entry enhancements
Documented contexts
Documented in April 2024 report; report date is not completion date.; March 2024 project report; collaboration with Alexandr Polzin retained.
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Victor Quiñonez, known as Marka27, is a Brooklyn-based street artist whose work spans murals, paintings, and design. He describes his approach as Neo Indigenous, drawing on Mexican art and heritage alongside graffiti and contemporary culture. Boston commissioned Souledad (2022) for Washington Manor through its Transformative Public Art Program. The project involved the Boston Housing Authority, Youth Lead the Change, and meetings with residents; its imagery draws on the South End’s cultural gatherings. His Back to the Essence, Brooklyn mural was part of Murals for the Movement, curated by Liza Quiñonez of Street Theory Gallery. That project celebrates the African diaspora and Afrofuturism through figures, patterned textiles, and tropical imagery. Marka27 and Liza also operate Street Theory Gallery.
Project details & references
Practice
murals, painting, street art, design
Project references
Souledad · Back to the Essence, Brooklyn
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Victor Spinelli is an Ibiza-based artist whose practice moves between photography, painting, ceramics and sculpture. His Diver UP project began as a photograph made in Ibiza in 2005 and subsequently developed through bronze, wood and fiberglass versions. The project account distinguishes a wooden version burned at Burning Man in 2019 from the much larger sculpture built there in 2022. Spinelli’s exhibition history also records Wheel of Consciousness at Burning Man in 2023 and Life is a Puzzle in 2024. These projects give a U.S. context to an internationally based practice. The artist’s pages use both 24 feet and eight metres for the 2022 Diver UP; those measurements are not treated as an exact conversion. References to Area 15 describe the artist’s reported history, without confirming a present public display.
Project details & references
Practice
sculpture, photography, ceramics, installation
Project references
Diver UP — large 2022 version · Wheel of Consciousness · Life is a Puzzle
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