Artists & studios / Independent directory

Tomás Saraceno

Artist whose participatory installations and atmospheric projects investigate relationships among humans, other life and the environment. Documented works include solar inflatable structures and interconnected membrane environments.

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At a glance

Practice
sculpture, installation, participatory art
Based in
Not documented
Profile
individual
Project participation
Not documented; confirm with the artist, studio or estate.

Research notes for project planning

What the project record tells us

Cantor Roof Garden · New York, New York · 2012

Cloud City: a museum rooftop with controlled visitor access

The Metropolitan Museum of Art's 2012 Cloud City presentation joined 16 transparent and reflective modules on its Cantor Roof Garden. The museum documented a 54-by-29-by-28-foot structure and an internal visitor route, with entry limited by timed tickets and weather. The installation related its spatial experience to Central Park and the Manhattan skyline. This historical presentation makes visitor operations part of the curatorial reference, alongside modular geometry, reflective surfaces and the experience of moving through the artwork.

The Metropolitan Museum of Art — Cloud City, 2012 ↗ · Reviewed 2026-10-10

For your project brief

How will site views, visitor access, staffing and weather-dependent operation be developed alongside the artistic design?

Big Art Partners planning prompt

HangarBicocca · Milan, Italy · 2012

On Space Time Foam: movement shared through membranes

On Space Time Foam was presented at HangarBicocca in Milan in 2012, curated by Andrea Lissoni. Saraceno's studio lists transparent PVC membranes, Velcro and wood, and includes an interview in which he explains how a participant's weight deforms a membrane and affects others nearby. The work's social proposition is inseparable from its physical behavior. The historical installation is a reference for collective participation; its materials list is not a transferable structural or visitor-capacity specification.

Studio Tomás Saraceno — On Space Time Foam ↗ · Reviewed 2026-10-10

For your project brief

What participant experience is intended, and how will the artist and project specialists establish access, supervision and the behavior of the specific installation?

Big Art Partners planning prompt

Gunpowder Park · Essex, United Kingdom · 2007

Poetic Cosmos of the Breath: atmosphere as part of the work

For Arts Catalyst's International Artist Airshow, Poetic Cosmos of the Breath unfolded at Gunpowder Park in Essex on September 22, 2007. The studio describes a large dome of iridescent foil, held at ground level by sandbags, rising as sunlight warmed the air inside. Participants assisted the dawn event. Its documentation is of a collective, weather-related performance as much as a sculptural object, so the sunrise, setting and process belong to the artistic precedent.

Studio Tomás Saraceno — Poetic Cosmos of the Breath ↗ · Reviewed 2026-10-10

For your project brief

Is the intended commission a timed outdoor performance or a continuously viewable work, and how would weather and audience scheduling shape that choice?

Big Art Partners planning prompt

The documented work

Art out in the world.

2 artwork references · availability unconfirmed

Image from the project source for On Space Time Foam
Image: studiotomassaraceno.org ↗
indoor

On Space Time Foam ↗

Tomás Saraceno

participatory membrane installation

Project details & references
Materials
transparent crystal-clear PVC membrane, Velcro, wood
Year / version
2012
Documented at
Hangar Bicocca, Milan, Italy
Project context
Studio account of the 2012 installation; Pirelli HangarBicocca CUBO exhibition, 2012–2013
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Image from the project source for Poetic Cosmos of the Breath
Image: studiotomassaraceno.org ↗
outdoor

Poetic Cosmos of the Breath ↗

Tomás Saraceno

solar inflatable installation and performance

Project details & references
Materials
iridescent foil, air, sandbags
Year / version
September 22, 2007 Gunpowder Park presentation
Documented at
Gunpowder Park, Essex, United Kingdom
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Further reading

Selected work references

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Explore the practice

Documented disciplines include sculpture, installation, participatory art.

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Sources