Documented artwork / site-specific sculptural installation
To breathe full and free: a declaration, a re-visioning, a correction (19°36’16.9”N 72°13’07.0”W, 42° 21’48.762” N 71°1’59.628” W)
Credit as documented: Firelei Báez
Firelei Báez reimagined Haiti's Sans-Souci palace ruins inside the ICA Watershed as if they had emerged from receding water. Visitors could pass through the sculptural architecture, encountering painted surfaces informed by West African indigo patterns and Caribbean marine growth. A suspended blue canopy and audio concerning migration between Boston Harbor and the Caribbean extended the installation's environment. A ciguapa mural connected the built fragments with Báez's recurring folkloric imagery.
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At a glance
- Year / version
- 2021
- Materials
- Not documented
- Documented setting
- indoor
- Dimensions
- Not documented
- Dimensions apply to
- Not documented
- Availability
- Unconfirmed
Places & versions
Installation history
Historical presentations. A past installation does not establish the current location or suitability for a new site.
July 3–September 6, 2021
ICA Watershed, East Boston, Massachusetts
Materials and construction
Eva Respini curated the 2021 commission, presented from July through September. The museum characterized it as the artist's largest installation at that time. Its architectural substrate and complete dimensions are not specified in the reviewed pages. Stephen Hamilton's accompanying Harbor Room presentation was a separate project and is excluded from this artwork identity.
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Sources
- www.icaboston.org ↗ · Checked 2026-10-17
- www.icaboston.org ↗ · Checked 2026-10-17
- www.icaboston.org ↗ · Checked 2026-10-17