Documented artwork / architectural sculpture and mural installation

The Aviators

Donald Lipski

Credit as documented: Donald Lipski

The Aviators pairs monumental mirrored sunglasses with a cloud mural in Phoenix Sky Harbor's Terminal 3. Donald Lipski placed the glasses above an arrivals waiting area beside the parking garage. Chris and Will Kreig, a father-and-son painting team, hand-painted the ninety-foot-wide oil-on-canvas sky behind them. The airport's art guide connects the work with Arizona's civil and military aviation history and describes functioning hinges and vinyl nose pads on the steel frames.

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Documented work. Current availability, ownership and installation requirements must be confirmed with the artist.

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Verified artwork image for The Aviators
Verified artwork imageImage: heavyart.net ↗Photo: Donald Lipski. (as credited at source)

At a glance

Year / version
2019 (artist and airport guide); 2018 (airport activity book caption)
Materials
steel, chromed fiberglass, oil on canvas, wood frame
Documented setting
indoor
Dimensions
Artist: sunglasses 30 ft wide; airport guide: 29 ft wide; airport activity book: sculpture 25 ft 4.75 in × 9 ft 3 in, axes not labeled. Cloud mural: 90 ft wide.
Dimensions apply to
Documented object or named component scope only; no relocation/engineering specification. Source disagreements and architectural measurements remain explicitly qualified.
Availability
Unconfirmed

Places & versions

Installation history

Historical presentations. A past installation does not establish the current location or suitability for a new site.

  1. 2019 (artist and airport guide); 2018 (airport activity book caption)

    Terminal 3 east arrivals area, Phoenix Sky Harbor International Airport, Phoenix, Arizona

    Site
    Waiting area adjacent to T3 parking garage, Phoenix Sky Harbor International Airport

    Installation details checked 2026-10-17.

    Installation source

Materials and construction

Published measurements differ: the artist gives thirty feet, the airport guide twenty-nine, and its activity book twenty-five feet four-and-three-quarter inches by nine feet three inches. The activity book dates the work 2018, while the artist and guide use 2019. These discrepancies remain unresolved.

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Sources