Documented artwork / integrated transit tile and light installation
Signal
Credit as documented: Mel Chin with Peter Jemison and the Six Nations
Signal is a station-wide installation by Mel Chin developed with Seneca artist Peter Jemison and the Six Nations. At New York’s Broadway-Lafayette/Bleecker Street station, blue-and-white tile motifs expand from simple platform accents to more elaborate patterns on upper levels. Jemison prepared the upper pattern on behalf of the Six Nations, connecting the station to Indigenous routes and cultural history. Five conical fixtures wrap around structural columns like campfires. Their light brightens as trains approach and dims as they depart, combining interpretation with a traveler’s signal. MTA explains that the steel elements and tile patterns draw within this history on tribal badges, cultural exchange, and messages of peace; the tile figures reach out toward one another across the station walls.
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At a glance
- Year / version
- 1997 (MTA); artist project page dated 1993
- Materials
- ceramic tile, steel, lighting elements
- Documented setting
- indoor
- Dimensions
- Not documented
- Dimensions apply to
- Not documented
- Availability
- Unconfirmed
Places & versions
Installation history
Historical presentations. A past installation does not establish the current location or suitability for a new site.
1997 (MTA collection date); artist project page 1993
Broadway-Lafayette St/Bleecker St station, New York City Transit, New York
Materials and construction
The artist describes the five fixtures and blue-on-white tile progression across platform, stairs and mezzanine; MTA places campfire forms on the main concourse. MTA dates the work 1997, while Chin’s project page is headed 1993. Both dates remain visible; neither is converted to an exact installation day. Electronic controller details and dimensions are not independently established.
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Sources
- melchin.org ↗ · Checked 2026-10-17
- www.mta.info ↗ · Checked 2026-10-17