Documented artwork / ecological field experiment and site-specific artwork

Revival Field

Mel Chin

Credit as documented: Mel Chin in collaboration with Dr. Rufus Chaney (USDA research agronomist)

Revival Field approaches an altered landscape as both an artwork and an experiment. Mel Chin worked with USDA agronomist Dr. Rufus Chaney on an initial field trial at Pig's Eye Landfill in St. Paul, Minnesota. The artist dates the project from 1991 and identifies 1993 as the end of its first phase. Plants capable of concentrating metals were arranged within industrial fencing on the contaminated site, linking the composition's circular planting scheme with the prospect of changing the soil itself.

Saves on this device.
Already working on a project?Adds directly to your existing saved project and keeps its brief intact.

Documented work. Current availability, ownership and installation requirements must be confirmed with the artist.

See the documented project and images

Verified artwork image for Revival Field
Verified artwork imageImage: melchin.org ↗

At a glance

Year / version
1991 onward; initial field phase concluded 1993 (artist)
Materials
plants, industrial fencing
Documented setting
outdoor
Dimensions
Not documented
Dimensions apply to
Not documented
Availability
Unconfirmed

Places & versions

Installation history

Historical presentations. A past installation does not establish the current location or suitability for a new site.

  1. 1991–1993 initial phase

    Pig's Eye Landfill, St. Paul, Minnesota

    Site
    Pig's Eye Landfill
    City
    St. Paul
    State / region
    MN
    Country
    United States (inferred; not independently confirmed)

    Installation details checked 2026-10-17.

    Installation source

Materials and construction

Chin reports that biomass analysis found cadmium accumulation in a tested Thlaspi variety despite difficult soil conditions. This is a documented experimental result, not a claim that the entire landfill was cleaned or made safe. The page's small-scale measurements belong to a separate maquette.

From a reference to your project

Keep the idea.
Shape the brief.

Save this reference to your shortlist while you explore. Review your selection, then carry the references you choose into a commissioning brief for your site, audience, timing and open questions.

Your shortlist is saved on this device. Saving a reference does not contact the artist or reserve a work. Participation, availability, price and site suitability need confirmation.

Plan the next step

Sources