Documented artwork / digital mural on glass, triptych

La Memoria de la Tierra: UCLA

Judith Baca

Credit as documented: Judith F. Baca with SPARC's Digital Mural Lab

Judith Baca's glass triptych traces UCLA's relationship with the land at Westwood. Its first panel recalls the area's Indigenous people, river, plants and animals; subsequent panels connect figures in the university's history with its future. The 2022 mural occupies the north-facing exterior of Ackerman Union at the Wescom Student Terrace. ASUCLA identifies the project as a partnership among the UCLA Centennial Committee, ASUCLA and SPARC's Digital Mural Lab, supported financially by Wescom Credit Union.

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Documented work. Current availability, ownership and installation requirements must be confirmed with the artist.

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Verified artwork image for La Memoria de la Tierra: UCLA
Verified artwork imageImage: judybaca.com ↗© 2026 Judy Baca (as credited at source)

At a glance

Year / version
2022
Materials
digital reproduction on glass panels, mineral-colored glass
Documented setting
outdoor
Dimensions
Artist: 10 × 80 feet overall; three panels each described as 26 feet long.
Dimensions apply to
Overall artwork and individual-panel descriptions are both attributed to the artist; their arithmetic difference is not reconciled.
Availability
Unconfirmed

Places & versions

Installation history

Historical presentations. A past installation does not establish the current location or suitability for a new site.

  1. 2022

    North exterior wall of Ackerman Union, Wescom Student Terrace, UCLA, Los Angeles, California

    Site
    North exterior wall of Ackerman Union, Wescom Student Terrace, UCLA
    City
    Los Angeles
    State / region
    CA
    Country
    United States (inferred; not independently confirmed)
    Address
    308 Westwood Plaza
    Historical siting
    permanent
    Setting
    outdoor

    Installation details checked 2026-10-17. Supporting source ↗.

    Installation source

Materials and construction

A digitally composed image was translated into mineral-colored glass. The artist gives an overall size of ten by eighty feet and also describes three panels twenty-six feet long. Those differently scoped figures are retained without inventing a spacing or framing calculation.

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Sources