Representative artist / studio imageImage: discover.pbc.gov ↗Photo Credit: Robin Hill Photography (as credited at source)
At a glance
Practice
public art, new media, architectural installation, sculpture
Based in
Los Angeles, California, United States
Profile
individual
Project participation
Not documented; confirm with the artist, studio or estate.
Research notes for project planning
What the project record tells us
2011 museum installation in Salt Lake City.
Landscape history crosses the museum threshold
Land and Time at the Natural History Museum of Utah links an exterior topographic treatment with an interior montage of regional landforms. Narduli’s project record dates the installation to 2011, connecting the museum’s architecture with the terrain it interprets. For a museum buyer, the useful precedent is the movement between outdoor approach and indoor encounter. Planning should identify which surfaces carry interpretation, how visitors transition between them and which building trades must accommodate the work before architectural finishes are committed.
Which architectural surfaces connect arrival with interpretation?
Big Art Partners planning prompt
Completed February 2023; county commissioner record.
An outdoor room uses sun as a design input
Palm Beach County records SKYroom as completed in February 2023 at its convention center. The project combines perforated aluminum, dichroic glass, planting and seating with lighting and a design informed by the sun’s movement. For a venue buyer, the precedent extends public art into a usable outdoor gathering space. A comparable brief should evaluate shade, changing color, event circulation and maintenance access together, with responsibilities divided clearly among the artist, landscape team, facility operator and the suppliers of lighting and exterior materials.
How will event operations and seasonal sunlight shape the space?
Big Art Partners planning prompt
2017 collaborative installation; historical project description, not a claim that every data feed remains live.
A media facade needs shared authorship and stewardship
ConvergenceLA is documented as a 2017 generative media work at Los Angeles’s Metropolis Towers, produced by Susan Narduli Studio and Refik Anadol Studio. The project extends its data-based visual language through digital access and sound, with specialized contributors credited. For a building owner, that combination makes authorship and operations inseparable commissioning questions. A new brief should define the artistic software, data dependencies, display hardware and responsibility for updates, while documenting which collaborators control the visual identity when technical systems change.
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Susan Narduli is based in Los Angeles, California, United States. Documented disciplines include public art, new media, architectural installation, sculpture.
