Not documented; confirm with the artist, studio or estate.
Research notes for project planning
What the project record tells us
Burning Man · 2011
Charon: physical participation and an animated narrative
Charon debuted at Burning Man in 2011 as a three-dimensional stroboscopic zoetrope. Hudson connects the work to the mythological ferryman and to personal experiences of bereavement. Visitors physically activate the sculpture, bringing its figures into apparent motion. The artist frames this participation as a prompt to reflect on life and mortality. Its documented value is therefore both kinetic spectacle and a specific narrative, rather than animation as an isolated technical effect.
How should interpretation, viewing distance and participation work together for the audience and setting you have in mind?
Big Art Partners planning prompt
Interactive zoetrope · Burning Man and museum presentations
Homouroboros: drumming as the interface
Hudson's 2007 Homouroboros places a ring of ape figures around a tree form. Drums at the trunk activate rotation, and the animated sequence shows an ape taking an apple from a serpent whose mouth resembles a human hand. The artist lists a 24-foot height, a 32-foot upper diameter and a 10-foot footprint, and documents exhibitions at the Exploratorium and Children's Discovery Museum. The upper envelope and ground footprint are distinct measurements in this project record.
What space is needed for the rotating upper envelope, drum participants and people watching without taking part?
Big Art Partners planning prompt
Human-powered kinetic installation · 2014
Eternal Return: visitors provide the motion
Eternal Return, dated 2014 in Hudson's portfolio, uses rowing pulleys to set a zoetrope spinning. Strobe lighting then makes the physical sequence appear animated. Its title refers to the idea of existence recurring through time, which the artist connects to cultural and religious narratives. The project documents an interaction that depends on effort by visitors; the available page does not establish a current exhibition calendar, operating specification or alternative activation mode.
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Peter Hudson is based in San Francisco, California, United States. Documented disciplines include kinetic sculpture, interactive sculpture, stroboscopic zoetropes.
