An audiovisual collective comprising Sasha Kojjio, Alisa Davydova and Alexander Medvedev. Their collaborative practice combines light, sound, programming and spatial installation.
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What the project record tells us
2022 NUR festival and 2023 NON SEMANTIC presentations
A scaffold serves as both support and constraint
ENCAGED places two laser projectors inside a tall Layher structure, making the supporting scaffold part of its subject. media.tribe describes light geometries that work within those limits, modulated by sound and movement. The project appeared at NUR festival in Kazan in 2022 and the NON SEMANTIC exhibition in 2023; Sasha Kojjio handled light and programming, Alexander Medvedev sound and montage, and Alisa Davydova management and direction. How would the host position audiences so that both the physical enclosure and the changing light remain legible?
How would audience positions reveal both the enclosure and its changing light?
Big Art Partners planning prompt
MEDIUM exhibition, TSEH Space, Nizhny Novgorod, 2022
MIMIC.2 joins the screen to the surrounding atmosphere
The collective’s page identifies this work specifically as MIMIC.2, presented in 2022 at the MEDIUM exhibition in TSEH Space, Nizhny Novgorod. Its audiovisual imagery occupies both the atmosphere and a screen, making their relationship the central spatial idea. Credits assign light and programming to Sasha Kojjio, sound and montage to Alexander Medvedev, and production to Alisa Davydova. For a comparable presentation, where should viewers stand to read both image layers together, and how would the host establish the ambient conditions needed for that relationship?
Where should viewers stand to read the screen and atmospheric image together?
Big Art Partners planning prompt
Laser-array installation documented at NUR and MIRA festivals
A cross defined by the light around it
CROSSES uses sixteen custom devices arranged in a line, each projecting laser lines in four directions. Their overlapping fields leave a cross-shaped negative space, turning darkness into an active part of the composition. media.tribe records presentations at NUR festival in Kazan in 2021 and MIRA Festival in Barcelona in 2023. The work therefore provides a precise reference for an installation built from repeated equipment and a central spatial axis. How would a new room’s dimensions and audience positions preserve the intended void within those light fields?
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