Australian land and light artist whose documented installations combine landscape settings, reflective materials, water mist and illumination. Works include Diaphanous Bloom and several separately named Arc installations.
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Research notes for project planning
What the project record tells us
Mixed-use development · Shenzhen, China
Diaphanous Bloom: mist and light at a pedestrian intersection
Project partner UAP describes Diaphanous Bloom at Shenzhen’s MixC World as an 8.5-metre permanent sculpture commissioned through Art Front Gallery. Its polished stainless-steel tree form releases mist into the air, while programmed light changes the canopy’s appearance. UAP records its role in overseeing installation at a key pedestrian junction. The account makes the relationship among sculpture, environmental effects and circulation concrete, without providing water demand, equipment access or a maintenance specification.
How will water supply, mist equipment, maintenance access and pedestrian movement be coordinated with the sculpture?
Big Art Partners planning prompt
Festival and landscape installations · China and Australia
Arc ZERO: Eclipse: dimensions belong to a particular presentation
Tapscott’s project page groups several Arc ZERO: Eclipse presentations: Shenzhen in 2018, Melbourne’s RISING festival in 2021, and a temporary remote installation at Lake Tyrell in 2025. It lists steel, mist and light and gives a 5.4-metre diameter specifically for the RISING version. A curator should retain these separate contexts when using the project as a reference; a shared title does not establish the same size, hardware or installation conditions at every site.
Which iteration best matches the site, and what changes would the artist require for its water, weather and viewing conditions?
Big Art Partners planning prompt
Canal Convergence · Scottsdale, Arizona, 2021
Arc ZERO: Oculus: framing an existing piece of infrastructure
Tapscott records a 7.5-metre Arc ZERO: Oculus installation for Canal Convergence in Scottsdale, Arizona, in 2021, positioned around a bridge designed by Paolo Soleri. The same page records a separate 2020 presentation in Odense, Denmark. The Scottsdale reference is particularly useful for researching a commission whose composition depends on an existing structure: the artwork’s relationship to the bridge is part of the documented design, beyond the ring itself.
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